The icon was of an imposing lady draped in Roman dress.
“She is one of my favorite characters,” he said.
“Because she is the patron saint of commerce?”
Lankton is no stranger to commerce. Twenty years ago, when
everyone was moving West, he went East – to Russia , where he saw and was
captivated by Russian Byzantine icons. His painstaking collection, a work of
love, now fills a museum of his own making. Legend has it that Lankton’s wife,
troubled by a metastasizing collection that was filling every corner of her
house, gave her husband an ultimatum: Either the icons go, or I go. Thus are
museums are born.
“No,” he answered, “not because she is the patron saint of
commerce. Saint Paraskeva was a Roman lady whose parents were converts to
Christianity at a time when such avowals were sternly punished by pious
Romans.”
Saint Paraskeva ran afoul of the emperor of the day,
Antoninus Pius, Lankton said, who attempted to correct her slide into impiety.
So he prepared a bath for her of hot oil and demanded that she give up her
Christian ways. She said nothing. He pushed her in and noticed the oil had no
effect on her at all. He asked whether she had, through some sort of
divination, managed to make the bath cool. In response, she cupped her hand and
threw the oil on him, some of which got into his eyes, causing him to go blind.
Later, having had second thoughts about Saint Paraskeva, the emperor asked her
to cure him. And she did, converting him to the faith. She was a convincing
early Christian preacher and converted many people. Saint Paraskeva received
her martyr’s wreath in the year 180 and is venerated today both as the patron
saint of commerce and as a healer of the blind.
The story Lankton told us especially impressed Andrée, who
had her guide dog with her. But all icons are the repository of stories. They
were the story books of the Middle and Latin Middle Ages.
The most productive period in the development of icon making
was from the years 1350 to 1650. Containing more than 300 icons, the museum
houses the largest collection of Russian icons in North America and spans six
centuries, from the fifteenth century to the present.
That impressive span of faith and belief was interrupted
from time to time by iconoclastic periods, when icon making was discouraged,
most often by the sword of emperors.
Russian icon making originated in Greece but, as the Russia
expanded six thousand miles to the Pacific Ocean, it developed its own unique
style. The development of Russian icon making corresponds to the beginning of
the Russian state in Kiev in Ukraine and the development of the Russian nation.
By the late eighteen hundreds, the production of icons had reached such massive
proportions that whole towns in Russia were devoted to icon making. Nearly
every home in Russia during this period had in it an icon that was venerated.
There were in Russia, at the time of the Russian Revolution,
more than twenty million icons. As the bloody revolution unfolded, Russia entered
its most punishing iconoclastic period. The Communist state forbade all
independent religious activity; the painting of icons was prohibited; and the
people were ordered to burn their icons in great bonfires in public squares.
The atheist ice in Russia did not thaw until the breakup of the Soviet Union in
1991, which has now seen a resurgence of religion and icon making.
Surrounded by icons that had managed somehow to survive the
bonfires of the official atheist state, Lanton must sometime wonder what Saint
Paraskeva would have made of the madness of the 20th century. It is doubly
ironic that the life of Saint Paraskeva, always in jeopardy, parallels the life
of her icon, more durable but no less subject to destruction. But the icon,
which will live in the imagination of those who have seen it, now has a home
safe from hazard.
The Museum Of Russian icons is located in a historic
nineteen century brick building, once a post office, adjacent to Clinton Park,
the oldest public park in the United States. Museum hours are Tuesday through
Saturday, 11Am to 3PM. Admission for adults is $5, tour participants and groups
$4, and students and children under 16 are admitted free. The museum’s address
is 203 Union Street, Clinton Massachussetts 0150. Its helpful staff may be
reached by dialing 978-598-5000. Its web site is
http://www.museumofrussianicons.org/
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