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Understanding North Korea Through Dramaturgy

The U.S. military is sending the Vinson Strike Group, including the carrier and two guided-missile destroyers, to operate in the Western Pacific Ocean in response to Pyongyang’s recent missile tests. Secretary of State Rex Tillerson, asked about the strike force, issued a terse statement: “The United States has spoken enough about North Korea. We have no further comment.” Is this a post-Syrian bombing mission? Will the US take out North Korea’s missile launching sites, possibly with the unspoken concurrence of China? Never let a bombing go to waste. There are some in the United States who think any such incident should be used to rid North Korea of that runty little totalitarian cock-of-the-walk who keeps his countrymen starved, in fear and at his knees. Since we only have one chance, they say, go for the clean sweep -- no more Kims. Connecticut Commentary is reprinting an earlier piece about the Kims here. Best read with a glass of port.

The Ghost Monologues, Caligula, Stalin And Kim: Men Like Gods

Caligula So, I have become a ghost, the nearest I shall ever be to a God again; for, in life, I was a God. Divinity, you know, is the highest form of politics. What is higher or nobler than a God? … But wait: Nobility has nothing to do with it, as if nobility and Godliness could ever share the same stage; a God is above that sort of thing. As a former Emperor – now, God and ghost – everything for me was permissible, and understandable. I comprehend by grasping my subject from the inside; nothing was alien to me. I am solid as earth now because I know everything; I am in everything, and everything is in me. That is how I know; through a process of identity and self-revelation. I become the thing I want to know – say, a tree, or a young boy, or a virgin – and then, at will, I revert to Godliness.

Understanding Kim Through Dramaturgy

The following piece appeared in Connecticut Commentary five years ago and is reprinted here on the occasion of the passing of Kim Jong Il . Shin Sang-ok enters the stage and approaches a large standing mirror with great trepidation. At the end of his monologue, he will fade out and only the mirror, with Kim Jong Il’s image in it, will be seen . Shin Sang-ok : I am not Kim Jong Il, though people have told me I look a bit like him; it’s the pompadour, I think. Kim could not be here. That would be impossible. To understand Kim, you must understand something of the uses of imagery. I have a comprehensive understanding of the science of imagery, for I was a movie producer in South Korea, before I was abducted and taken to the North. One of Kim’s agents put a bag over my head and spirited me off. Well, you know -- North Korea; it’s not Hollywood… Having tried and failed to escape several times, I was put into a reeducation camp for four years. Why is it always four years, I wonder? ...

Understanding Kim Through Dramaturgy

Shin Sang-ok enters the stage and approaches a large standing mirror with great trepidation. At the end of his monologue, he will fade out and only the mirror, with Kim Jong Il’s image in it, will be seen. Shin Sang-ok : I am not Kim Jong Il, though people have told me I look a bit like him; it’s the pompadour, I think. Kim could not be here. That would be impossible. To understand Kim, you must understand something of the uses of imagery. I have a comprehensive understanding of the science of imagery, for I was a movie producer in South Korea, before I was abducted and taken to the North. One of Kim’s agents put a bag over my head and spirited me off. Well, you know -- North Korea; it’s not Hollywood… Having tried and failed to escape several times, I was put into a reeducation camp for four years. Why is it always four years, I wonder? Why not ten, or eleven and a half? ( He laughs ) You are surprised, perhaps, that the camp did not rob me of my sense of humor? But believe me, when y...